Photo by Jamari Lior
January 07, 2011, 8:00am
we collect, concentrate, copy, crawl, grab, gather, link, paste, pick, reblog, steal:
anything, everything, something, whatever, however.
anything, everything, something, whatever, however.
Timothy Nolan has exhibited extensively since the 1990s, with shows in Los Angeles, San Francisco, New York and Europe. Museum shows include the University Art Museum at California State Long Beach, the Weatherspoon Museum at the University of North Carolina at Greensboro, the San Diego Museum of Art, the Museum of Contemporary Art in Tucson, Arizona, and the Torrance Art Museum in Torrance, California. His work is in the collection at the de Young Museum of Art, San Francisco, California. He received the 2007-2008 COLA Fellowship Grant from the City of Los Angeles Department of Cultural Affairs. In 2001 he received a grant from the Pollock-Krasner Foundation. He has also received residency fellowships from the Corporation of Yaddo, The Ucross Foundation, The Edward F. Albee Foundation, the Djerassi Resident Artists Program and Stichting Kaus Australis in Rotterdam. His work has been reviewed and featured in the Los Angeles Times, LA Weekly, SF Weekly, San Francisco Chronicle, the New Yorker, Artweek, and Artkrush, among other publications. He is currently represented by Carl Berg Gallery in Los Angeles and Marx & Zavattero in San Francisco.
August 18, 2009, 6:18pm
Ohne Titel (Straße)
Aandreas Gefeller
Hongkong, 2004/2006
August 13, 2009, 6:15pm
Ohne Titel (Plattenbau 4)
Andreas Gefeller
Berlin, 2004
August 13, 2009, 6:14am
Ohne Titel (Bodenplatten 1)
Andreas Gefeller
Düsseldorf, 2004
August 12, 2009, 6:14pm
Ohne Titel (Stadion)
Andreas Gefeller
Düsseldorf, 2002
August 09, 2009, 6:12pm
Ohne Titel (Ministerium)
Andreas Gefeller
Düsseldorf, 2005
August 08, 2009, 6:09am
Zuneta Identity, 2008
Zuneta is an online beauty boutique. To bring clarity to the often over complicated field a tailor-made service was set up to meet the needs of the specific individual. Tasked to make the whole graphic identity we began to look at the possibilities for an interchangeable palette of logos this reflected the idea of transition; an analogy of the function of make-up. Alongside this a key concept was to create a dynamic textual element this was in reaction to the usual seductive imagery associated with the beauty industry. We found that re-appropriating and abstracting well known industry terminology gave us the opportunity to create intriguing statements. This could then be applied to all printed materials and can be reinvented from season to season.
Design: OK-RM
via ok-rm.co.uk
August 07, 2009, 6:08pm
Anton Stankowski design for a calendar sheet 1958. From Visual Presentation of Invisible Processes.
August 07, 2009, 6:07am
