Illustrator Sergey Vlasov
May 28, 2011, 3:30pm
we collect, concentrate, copy, crawl, grab, gather, link, paste, pick, reblog, steal:
anything, everything, something, whatever, however.
anything, everything, something, whatever, however.
Illustrator Sergey Vlasov
May 27, 2011, 3:30pm
Illustrator Sergey Vlasov
May 18, 2011, 3:30pm
(via Max-o-matic: Cut, Paste & Illustrate | Trendland: Fashion Blog & Trend Magazine)
May 13, 2011, 3:31pm
Illustrator Sergey Vlasov
May 09, 2011, 3:31pm
Art by Federico Bebber
May 08, 2011, 3:31pm
(via Max-o-matic: Cut, Paste & Illustrate | Trendland: Fashion Blog & Trend Magazine)
April 29, 2011, 3:30pm
Rhett Dashwood
Google Maps Typography
Over the course of several months beginning October 2008 to April 2009 I’ve spent some of my spare time between commercial projects searching Google Maps hoping to discover land formations or buildings resembling letter forms. These are the results of my findings limited within the state of Victoria, Australia.
August 29, 2009, 12:47pm
Suprematist Non-Objective Poetry
FS2089CT05 by Cecil Touchon 9x6 inches collage on paper (via Suprematism - Non-Objective Art - Ceil Touchon -Suprematist
Non-Objective Poetry)
Without struggle, no progress and no result. Every breaking of habit produces a change in the machine.
August 17, 2009, 6:17pm
PRIVATE TERRITORY Creative area’s are hot spots to-be. According to creative city spokesman Richard Florida, creative city’s gain value by the people at it’s streets. ‘Private Territory’ presents 10 installation artists, in diversity and through constructions. Architecture and citizenship are closely tied within this construction. Individual and creative citizenship will be displayed by the artists as pillars for the works to rise.
‘Private Territory’ will be displayed through the perspective of the autonomous, self realising attitude of the artists. This self realisation moves within the context of a urban area in development, more specific a creative urban area in development. The installation artworks will be constructed in direct and playful relation to the creative city in general, as concept, and in specific in relation to Strijp S, as creative city in development.
A question that rose parallel to the development of Strijp S asks for the motives and motion that individual, creative entrepreneurs undertake and prefer in relation to the developing creative city, since these people are the basis for the creative dynamics that should evolve out of the promise it proposes. These people will finally carry the city as a whole. (via onomatopee)
August 11, 2009, 6:13am
